Friday night I found myself in a dark, dead quiet room with mounted fish lining the walls as Jeremy Quentin (the man behind Small Houses) played a short but spellbinding set full of the dense, evocative songs that make up his catalog. He closed with ‘Country Flowers,’ a brisk old tune that left the room in a stunned silence for a few seconds after the last notes disappeared. Those are my favorite few seconds at any show.
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